It’s widely known, more so now than ever, that making recordings – regardless of the musician’s status or experience – is not an economically viable or lucrative venture for anyone involved, including the record label. So then why, 18 years later, did Myron decide to record works of lesser known composers, even if it took a Kickstarter campaign to do so? Well, for him it’s all about the music. More importantly, he believes in advocating for the visibility of composers whose works may have fallen by the wayside amidst the complexities and anxieties of premiers, hidden estates, or family feuds.

Read more: Myron’s Story