The Chicago Symphony Orchestra and Chorus first performed Sergei Prokofiev’s cantata Alexander Nevsky at Orchestra Hall on March 5, 6, and 10, 1959. Fritz Reiner conducted and Rosalind Elias was the mezzo-soprano soloist.

The Chicago Symphony Orchestra and Chorus onstage in March 1959. Also pictured is chorus director Margaret Hillis, music director Fritz Reiner, and associate conductor Walter Hendl (Oscar Chicago photo).

The Chicago Symphony Orchestra and Chorus onstage in March 1959. Also pictured is chorus director Margaret Hillis, music director Fritz Reiner, and associate conductor Walter Hendl (Oscar Chicago photo).

“The fever and excitement latent in this muscular music originally part of the score for the Sergei Eisenstein movie was brought out by Reiner gradually with a slow-fuse sort of detonation,” according to Donal Henahan in the Chicago Daily News. “The climactic Battle on the Ice was approached with expansive calm and deliberation, and thus aroused the audience’s martial blood properly. A conductor who tries to pile climax after climax into this work can never achieve the hair-raising thrust that Reiner drew from Margaret Hillis’s Chicago Symphony Chorus [singing in English] at such a moment. No one can write a march like Prokofiev, and it was grand to hear this one played with power but without hysterics. The Chorus, although called on for less heroic vocal effort than in some other works it has sung, produced a pleasing sound in all voices and a more homogeneous tone than at any time since Miss Hillis began her missionary work in Chicago.”

The subsequent RCA release—the first recording collaboration with the Orchestra and the Chicago Symphony Chorus—was made on March 7, 1959, at Orchestra Hall.

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